2025 – The Year in Classical Music in Manchester (and London, Leipzig and Southwell) – Live Review

Manchester was the place to be for superb performances in 2025

The Year in Classical Music

Sometimes going abroad reminds you how good things are at home. In the spring of 2025, I went to the Shostakovich Festival in Leipzig, featuring world-class performers such as the Gewandhausorchester and the Boston Symphony Orchestra. So it was lovely to return home to Manchester to find performers who are just as good.

This post doesn’t pretend to be a ‘best of’ list. There are plenty of those elsewhere. It’s a look back over some of my personal highlights of the year. I have chosen only one concert or opera from each of the performing groups I reviewed in 2025, to celebrate the music of Manchester… and a few other places too.

Manchester Classical

The biennial Manchester Classical Festival is rapidly becoming a fixture in Manchester.

A highlight on Day One was the concert by Riot Ensemble, who have now chosen Manchester as their home base. As they say on their website,

Why Manchester? Because the classical music scene here is simply electric: welcoming, ambitious, and fiercely creative.

BBC Philharmonic Orchestra

Under their Chief Conductor, John Storgårds, the BBC Philharmonic has had another excellent year, but I have chosen one of many highlights, the strings of the orchestra in a stunning concert directed from the violin by Leader Zoë Beyers.

Manchester Collective

Manchester Collective continued to surprise and delight us with their varied and unusual programmes, always performed with passion and deep humanity. The new piece Wintering by Samantha Fernando gave its name to a concert with The Marian Consort at Stoller Hall in November.

The Hallé Orchestra

Kahchun Wong is quickly becoming established as a fine conductor of the Hallé. At their performance of Tchaikovsky’s violin concerto in November, following a successful tour of China, he made a bold statement of intent,

“After China, we have a new mission: to represent Manchester and this region as cultural ambassadors, with your support”

Opera North

Opera North continue to delight us with their productions at the Lowry. Their production of Wagner’s The Flying Dutchman was another triumph, reviewed here in Leeds.

English National Opera

In October, we welcomed English National Opera to the Lowry in Britten’s Albert Herring, their first fully-staged production here. We look forward to many more productions in the future.

Kantos Chamber Choir

Kantos Chamber Choir provides immersive experiences through its thoughtful programming and staging. One of the highlights of the year was their spellbinding, emotional journey through the Pendle Witch Trials of 1612.

The Apex Singers

The year ended with a joyful celebration of Christmas in the delightful company of The Apex Singer, a mix of favourites and pieces from their new album Kvällen.

Southwell Music Festival

Elsewhere, the Southwell Festival in Nottinghamshire, now in its eleventh year, included another personal highlight, a concert by the Portuguese singer-songwriter Inês Loubet.

Bach in Leipzig

Leipzig is one of the most musical cities in the world, home of the Gewandhausorchester and with links to Felix Mendelssohn, Richard Wagner, Robert and Clara Schumann. JS Bach is buried in Thomas Kirche, where he was director of music, so it was profoundly moving to hear his music performed there.

Mahler’s Symphony of a Thousand in St Paul’s Cathedral

When I sang in the Hallé Choir, I was privileged to perform at the opening concert at Bridgewater Hall in 1996. Before we went on stage, conductor Kent Nagano told us that this was a one-off experience – we would probably never get the chance to sing at the opening of a major international concert hall again. So I can imagine how much it meant for members of London’s Bach Choir to sing in the choir’s 150th anniversary concert at St Paul’s Cathedral in October, a concert that will live long in the memory, for performers and audience alike.

Southwell Festival 2025 Day Three – Festival Jazz – Live Review

Sunday 24 August 2025

Inês Loubet Trio
Festival Marquee

Inês Loubet

Inês Loubet is a Portuguese singer-songwriter who combines Latin Jazz and Brazilian Tropicália, with a touch of soul and funk. She released her debut solo album Senga on the Albert’s Favourites label last year. On Sunday, she was joined in the Festival Marquee by Julio de Castro on electric bass and Jansen Santana on a fascinating array of percussion, including the boom box he was sitting on, metal keys, a small samba drum and plastic bottle tops. Inês Loubet provided lead vocals and acoustic guitar.

Inês Loubet and Jansen Santana

An early highlight was Dandē da Bahia from the new album, a song about friends who significantly impact your life, even if you haven’t seen them for a while. Loubet smiled gently as she sang and played guitar, and de Castro played a lovely melodic bass line. Olha o Rio was an ode to carnival and its contribution to Brazilian music. The song began with a samba/bossa nova feel, Loubet sounding like the American jazz singer Madeleine Peyroux. Loubet announced Sambo Mesmo Sem, a song about coming together to celebrate despite the weather, as the first single she ever released, in November 2023. It was a lovely, laid-back song featuring mixed percussion and superb guitar, bass and vocal harmonies. Loubet had a charming stage presence, drawing us into her music and her stories with a mellow, soulful voice. Santana was relaxed and inventive in his percussion playing, smiling gently as he played. De Castro was a virtuosic bass player and played some excellent funky bass on Banho de Folhas, a cover of a song by the Brazilian singer-songwriter Luedji Luna.

Julio de Castro

Loubet explained that most of the songs in the set were from Senga, a superb album that is well worth investigating. Senga is Agnes (her name) backwards, but it also means fragments, and the record represents fragments of who she is. Guri (child in Portuguese) recounted a long journey in Brazil in a car with a nine-month-old boy, enjoying himself despite the journey. Loubet dedicated this song to the boy, saying she needs to be more like him. She danced while she sang this inspiring song. Semente (‘seed’) told the more serious story of a phone call from her mother in her native Porto ( ‘the best city in Portugal’) asking her to come home from university because her father was ill with depression. It was a gentle, soulful song with an excellent bass solo and anguished vocals at the end.

Two of the songs in the set were about women’s role in society. Sapo Jacaré used a rhythm that only women play, in the mountains in the North East of Portugal, as they sing verses about their struggles as women. Loubet dedicated the final song A Todas as Mulheres (To all women), to all the women in the room, and to family members she had seen in toxic relationships. A haunting song, it was slow and poignant. At one point, she moved away from the mic, and the audience leaned in to this intimate, vulnerable section. At the end of the song (and the set), the Minster bell chimed, as if in agreement with the sentiment of the song.

Performers
Inês Loubet voice, guitar
Julio de Castro electric bass
Jansen Santana percussion