Album Review – Isolated Dreams by Ghost Echo

A bold and accomplished debut from the Dutch duo


Many lockdown albums will be released in the next few months. Some of the recent highlights include Richard Barbieri’s Under a Spell , and Steven Wilson’s The Future Bites, recorded before lockdown but released in January. Now Dutch musicians Remy de Wal and Karel Witte have recorded Isolated Dreams, their first album together as Ghost Echo, with almost all the music being made by the two musicians remotely. The album was written and recorded between March last year and February this year in their home studios. Remy and Karel exchanged demos and did all the mixing and production themselves, an impressive achievement.

The album opens with Black Era with Eighties-sounding drum machines and synths, an anthemic chorus and vocals that are slightly reminiscent of the pure tones Morten Harket of the Norwegian pop group A-ha (although without reaching his stratospheric heights). But this is not a straightforward pop song; although it starts in that style, it soon embraces an almost prog metal style with metallic guitars and screeching synth lines. It is a promising and mature start to the album, immediately demanding the listener’s attention.

Dust begins with a gorgeous keyboard motif, influenced as the band admit partly by the soundtracks to both of the Blade Runner films. The song features lo-fi trip hop beats and a lovely, introspective vocal line delivered with great emotion.

Late Night is the highlight of the album, an atmospherically dystopian tale of a man haunted by demons in the small hours of the night. The band openly acknowledge the song’s debt to the more recent electronic work of Steven Wilson, but the gorgeous harmonies in the chorus also hark back to Wilson’s earlier work with his band Porcupine Tree. The disturbing animated video, with a touch of psychedelia, was created by Tiago Araújo; it also has an indirect link to Steven Wilson in that it is similar to the work of Jess Cope in her animation for The People Who Eat Darkness from Wilson’s solo album To The Bone.

Tiago Araújo’s video is based on a script by Karel Witte

Null Void begins with a dark trip-hop soundscape and heavily compressed vocals, like the soundtrack to a bleak science fiction film, perhaps set in the dystopian near future when the planet has been devasted by some cataclysmic event and an oppressive regime has come to power. The song ends with a prog rock style epic guitar solo, and the repeated words ‘I see you watching me’, suggesting the protagonist is now living in a totalitarian state, before the track stutters to a halt.

Another stand-out track is Pitfalls which closes the album, beginning with a slow-burning ambient sound, building to another epic guitar solo, accompanied by Giorgio Moroder-style synth chords and prog metal guitar chords, with emotionally wrought vocals; a powerful climax to the album.

It is to the band’s credit that even at this early stage in their career they have sequenced an album of emotional highs and lows, and taken the listener on a journey of discovery. They even left off the song Conspiracy Leader described by the band as ‘a dark synthpop-goes-progmetal track featuring acoustic drums (!) by Kay Ketting’,  as they did not feel that it fitted into the sequencing of the album, a brave but important artistic decision so early on.

It would be hard to tell that the album was recorded in lockdown except for the reference in the title to ‘isolated’ dreams. It is an accomplished and bold debut, immediately establishing an exciting new voice, a very effective combination of pop, prog, metal and trip-hop. Apparently, they are already writing new material which provides hope for the band’s future when they can get together in person.

Ghost Echo are:

Remy de Wal – Guitars, synthesizers, programming and backing vocals

Karel Witte – Lead vocals, guitars, synthesizers and programming

Isolated Dreams is out now.

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